Archive by Author

Mike Gibbs pays tribute to Gil Evans

by Phil Sandford | Mike Gibbs has integrated jazz, classical and popular influences in his composing and arranging into a distinctive sound that is fresh and interesting. Now living in Spain he continues to compose and explore new ways of expressing his musical ideas.

Read More 0 Comments

Mike Nock: Past and Present

Hear and Know cover

Review by Phil Sandford: The quintet format has proved an enduring one in jazz and this excellent album shows that it still provides a powerful vehicle for creative compositions, solos and group interaction.

Read More 0 Comments

Review: Fiveways by the Jex Saarelaht Quartet

There is a calmness and beauty on much of this CD, typified by Saarelaht’s impressionistic solo introductions to three of the tracks, which testifies to the maturity and skill of all four musicians. Phil Sandford reviews Fiveways by the Jex Saarelaht Quartet

Read More 0 Comments

Scott Tinkler Quartet: Red Door

Scott Tinkler Quartet at Bennetts Lane Jazz Club, Melbourne on April Fools Day, 2005

Rai Thistlethwayte – a bit mongrel-ish

‘I guess maybe I can’t decide what I like, I just like it all, and although that is hard to ‘market’ to the world, it’s true to me, so I’m a mongrel.’

Gian Slater receives Creative Fellowship

Musician Gian Slater receieved an early career fellowship in the first round of creative fellowships under the new Federal Government’s Creative Australia Artist Grants initiative.

Barney McAll’s creeping unease

Barney McAll’s Graft is a suite of music that looks at technology and the bizarre affect it is having on human connection. It is a wild musical sound painting reflecting the ever increasing ambiguity between virtual and real.

ANU School of Music – changes cause concern

Recent changes to the ANU School of Music in Canberra have created a dismayed buzz in the Australian jazz and [...]

Gian Slater sings Belinda Moody’s ‘Sleepy Head’

‘Slumber’ composed and arranged by Belinda Moody, performed by Moody on bass, Gian Slater on vocals, Colin Hopkins on piano, Phil Collings on drums, and string quartet.