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Barney McAll’s creeping unease

Barney McAll’s Graft is a suite of music that looks at technology and the bizarre affect it is having on human connection. It is a wild musical sound painting reflecting the ever increasing ambiguity between virtual and real.

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Joshua Kyle – excited by possibilities

“I started writing lyrics to instrumental tunes as a way to practise writing original songs. I was struggling writing melodies and lyrics at the same time so I started doing them independently, then really enjoyed the challenge of matching these existing melodies to lyrics.”

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Trevor Watts – in his own space

Trevor Watts and Veryan Weston in Guelph

“Every day I do some music of some kind because I need to, like I need to eat food. No big deal, I just get on with it. Because of that it becomes over time quite natural to just play and explore your own things.”

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Tilman Robinson – ‘A Winter’s Night’ on an autumn afternoon

“The idea of ‘first chapters’ – short little narrative gestures that leave you hanging for more – ties in nicely with my recent resolution to write shorter pieces. With this in mind I was able to create ten short unrelated pieces corresponding to each of what I call the ‘narrative chapters’.”

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Media release: National Jazz Awards – entries open

Entries are now open for Australia’s most prestigious jazz instrumental competition – the National Jazz Awards, to be judged by Mike Nock, Vince Jones and Michelle Nicolle (1998 winner)

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MIJF – Celebrating lineage

We may not be used to seeing Tortoni ‘front and centre’ at the MIJF but he’s played a role consistently for over a decade now. At the festival launch, he revealed what drives him, saying (twice) that he’s interested in the ‘pairing of jazz royalty with the voices of a rising generation’.

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Did you say ‘Old Man Farting’?

Old Man Singing - Lucian McGuinesson trombone and other bits and pieces

Celebrating a long-standing artistic friendship with Australian poet Thomas Shapcott, the Kinetic Jazz Festival has programmed three of Shapcott’s poems with dramatisation and music. The festival runs from 25-29 January

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Jazzgroove Summer Festival 2012

Jazzgroove Summer Festival 2012

With nightly programming, the festival also includes a free workshops and kids program at the Redfern Town Hall. In 2012, the festival includes for the first time an opening night Q&A to take place at the Old 505 Theatre with members of the jazz community debating ‘The Sydney Sound’.

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Q&A with Graham Hunt – 2011 NJA Finalist

Each year since 2005, in the month leading up to the jazz festival in Wangaratta, Miriam Zolin interviews the finalists in the National Jazz Awards. The awards are decided at Wangaratta in a series of heats culminating in a finals performance on the Sunday of the festival. Wangaratta Jazz festival this year runs from Friday 28 to [...]

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Sarah McKenzie – be tempted

James Morrison’s Generations in jazz was a pivotal experience for McKenzie. It’s where she had her first sense of jazz as a possble way of life. She heard Phil Stack, Blaine Whittaker and Troy Robinson and remembers realising that she could possibly find a way to choose a career around the music she loved.

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Scott Tinkler Quartet: Red Door

Scott Tinkler Quartet at Bennetts Lane Jazz Club, Melbourne on April Fools Day, 2005

Rai Thistlethwayte – a bit mongrel-ish

‘I guess maybe I can’t decide what I like, I just like it all, and although that is hard to ‘market’ to the world, it’s true to me, so I’m a mongrel.’

Gian Slater receives Creative Fellowship

Musician Gian Slater receieved an early career fellowship in the first round of creative fellowships under the new Federal Government’s Creative Australia Artist Grants initiative.

Barney McAll’s creeping unease

Barney McAll’s Graft is a suite of music that looks at technology and the bizarre affect it is having on human connection. It is a wild musical sound painting reflecting the ever increasing ambiguity between virtual and real.

ANU School of Music – changes cause concern

Recent changes to the ANU School of Music in Canberra have created a dismayed buzz in the Australian jazz and [...]

Gian Slater sings Belinda Moody’s ‘Sleepy Head’

‘Slumber’ composed and arranged by Belinda Moody, performed by Moody on bass, Gian Slater on vocals, Colin Hopkins on piano, Phil Collings on drums, and string quartet.