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Clarion Fracture Zone - reviews

 

 

         
   

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"Another highlight was Clarion Fracture Zone's superb performance. A full house of all ages received this rapturously, proving once more that there is much that is exciting and accessible in contemporary jazz..."
John Clare RHYTHMS 1/98 Review of Wangaratta Jazz Festival 1997

"...the best band in the world...this is a band that unwind the unconscious in a manner that is nothing short of physically, emotionally and intellectually devastating. Their music possesses a grace and sensitivity that most musical artists can only dream of capturing."
Craig Pearce Drum Media 9/97

"Canticle was a celebration of the joy of making music with out stylistic barriers; music which fosters that unique magic when improvising players are completely attuned to one another."
"...the choir wove in and out , making way for astonishing improvisations from the band."

John Shand Sydney Morning Herald 6/97

"Less Stable Elements" from the Australian quintet Clarion Fracture Zone... "blends free bop, funk backbeats, quiet melodicism, and improvised abstractions with freewheeling abandon... This is a fresh, well-played session full of variety and surprises that led me back to repeated listens."
Michael Rosenstein Cadence April 1997

"Hilarious, diverse....terrifically skilled...these stars of New South Wales have something of their own."
5 STARS DOWNBEAT 6/95

"Clarion Fracture Zone's 1990 album Blue Shift confirmed that an era in Australian jazz had begun. Here was a unique, unified diversity created by three major composers, an exploratory but often ravishingly beautiful blending of electronic and acoustic sounds. And now, their fourth and best CD to date!"
Review of "Less Stable Elements" John Clare SMH The Guide 8/96

"The group's identity now emerges fully formed, an exciting and beautiful fusion of influences from Mingus and Eric Dolphy to gamelan. Every talented band deserves a breakthrough disc; this ought to be theirs."
Review of Less Stable Elements Tom Gilling The Bulletin 9/96

"Wine culture could be tasted through Chardonnay and Cabernet Sauvignon while in the concert hall at the same time "Clarion Fracture Zone" pushed the culture of their native country to the front of the jazz league."
R. Bessling.Germany 4/96

"...the band's artistic trajectory remains skyward. From the quirky, circus-inspired lunacy of Less Stable Elements to the brooding atmospherics of The Water Bearer, Clarion took the audience on an exhilarating sonic journey"
Peter Jordan SMH 9/96

"Discipline and spontaneity acting in connection with high ensemble density and brilliant soloistic parts....perfect arrangements and enormous musical charisma..."
Kreiszeitung Syke, Germany 4/96

"from Australia came Clarion Fracture Zone, making an auspicious European debut...,a sound evidencing an emergent collective voice familiar with the heritage of more continents than only their own. Things are looking up for jazz down under"
W. Patrick Hinely - Jazztimes, USA 12/90

"A band of fascinating contrasts, whose special perspectives are an enrichment to the international jazz scene"
A Schumacher - Germany 9/94

"a truly contemporary band sensitively mixing acoustic playing and electronic sampling to produce a confection of influences that sound as if they were meant to belong together rather than just thrown in a blender and spun"
John Fordham - The Guardian London 9/94

"There's no doubt about it...astonishing and surprising as ever....This is contemporary world jazz at its pinnacle. Open your ears and let yourself be ravished by its focused, yet also decadent and hysterical beauty."
Craig Pearce Drum Media 9/96

"...a sumptous musical feast"
Peter Jordan SMH 9/96

"...full of sublime melodies" Tom Gilling THE BULLETIN 9/96

"...a high creative period in the life of an outstanding band"
A Brooking-OTS 10/94

"a creative powerhouse in Australian music" Craig Pearce - DRUM 10/94

"...another kind of utopia..." Goa Today 4/92

"One of the most compelling performances of the Festival was produced by Clarion Fracture Zone. Again demonstrating that adventurous music and a broad audience need not live on separate planets, the group received an enthusiastic reception for its inspired playing." P Jordan & J Shand - Manly JazzFestival 10/95

"Clarion Fracture Zone make one curious....about their original development as protagonists of an Australian sound and of those jazz secrets which are yet to be discovered down there" Jazzthetik, Germany 2/92

"Clarion Fracture Zone punched a hole in the musical firmament with a blitzkrieg of sometimes transcendental jazz... all of it original, all of it accomplished" Brisbane Courier Mail 4/94

"...Clarion are strong on melody. About half their material has a ravishing, almost opiated atmosphere to it...some of their other stuff is full of jolts, free-form dances and dervishes - but the humour and spirit with which it is attacked have opened these areas up to the casual listener" Gail Brennan-Sydney Morning Herald 3/93

"With their debut album, 'Blue Shift' Clarion Fracture Zone effectively set the pace for Australian modern jazz in the '90s...their long awaited follow-up 'Zones on Parade' actually surpasses their previous award-winning work"
Seth Jordan - Rhythms Magazine 3/93

Minimalistic, almost chambermusic-like parts with influences of folkloristic roots, delightful ironic persiflages of waltzes and marches with tricky rhythms and grooving Mainstream-bop - the Australian quintet offered a most enjoyable mix".
Rainer Bessling, Jazzfest Sulingen Germany 4/96

"These are real compositions, and each player brings as much character to his or her part - written or improvised - as an Ellington sideman." J. Clare SMH 8/96

"...ethereal and rich earthy sounds fill these constructions to the brim. It's about the most beautiful recording I've heard....." Review of Less Stable Elements John Clare SMH 8/96

"I like the way the suite builds up, each section having its unique dynamic variations, to the intense release of the last movement...I heartily recommend this release by Clarion Fracture Zone and await future recordings."
Review of 'What This Love Can Do' by Richard B. Kamins Cadence 10/95

 

"Canticle was a celebration of the joy of making music with out stylistic barriers; music which fosters that unique magic when improvising players are completely attuned to one another."
"...the tenor saxophones of Gorman and Evans carried a wild, almost pagan, sense of abandon in the opening sequence, Animus."
"...the choir wove in and out , making way for astonishing improvisations from the band."
"Even at it's most tender - as with Spence's porcelain delicacy at the piano, - the mood was charged with excitement. Then a fresh rhythmic momentum would give that excitement free rein and the band simply blistering impact."
John Shand Sydney Morning Herald 6/97