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about clarion fracture zone :: pictures
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"Another highlight
was Clarion Fracture Zone's superb performance. A full house of
all ages received this rapturously, proving once more that there
is much that is exciting and accessible in contemporary jazz..."
John Clare RHYTHMS 1/98 Review of Wangaratta Jazz Festival 1997
"...the best band in the world...this
is a band that unwind the unconscious in a manner that is nothing
short of physically, emotionally and intellectually devastating.
Their music possesses a grace and sensitivity that most musical
artists can only dream of capturing."
Craig Pearce Drum Media 9/97
"Canticle was a celebration of the
joy of making music with out stylistic barriers; music which fosters
that unique magic when improvising players are completely attuned
to one another."
"...the choir wove in and out , making way for astonishing
improvisations from the band."
John Shand Sydney Morning Herald 6/97
"Less Stable Elements" from the
Australian quintet Clarion Fracture Zone... "blends free
bop, funk backbeats, quiet melodicism, and improvised abstractions
with freewheeling abandon... This is a fresh, well-played session
full of variety and surprises that led me back to repeated listens."
Michael Rosenstein Cadence April 1997
"Hilarious, diverse....terrifically
skilled...these stars of New South Wales have something of their
own."
5 STARS DOWNBEAT 6/95
"Clarion
Fracture Zone's 1990 album Blue Shift confirmed that an era in
Australian jazz had begun. Here was a unique, unified diversity
created by three major composers, an exploratory but often ravishingly
beautiful blending of electronic and acoustic sounds. And now,
their fourth and best CD to date!"
Review of "Less Stable Elements" John Clare SMH The
Guide 8/96
"The group's identity now emerges fully
formed, an exciting and beautiful fusion of influences from Mingus
and Eric Dolphy to gamelan. Every talented band deserves a breakthrough
disc; this ought to be theirs."
Review of Less Stable Elements Tom Gilling The Bulletin 9/96
"Wine culture could be tasted through
Chardonnay and Cabernet Sauvignon while in the concert hall at
the same time "Clarion Fracture Zone" pushed the culture
of their native country to the front of the jazz league."
R. Bessling.Germany 4/96
"...the band's artistic trajectory remains
skyward. From the quirky, circus-inspired lunacy of Less Stable
Elements to the brooding atmospherics of The Water Bearer, Clarion
took the audience on an exhilarating sonic journey"
Peter Jordan SMH 9/96
"Discipline
and spontaneity acting in connection with high ensemble density
and brilliant soloistic parts....perfect arrangements and enormous
musical charisma..."
Kreiszeitung Syke, Germany 4/96
"from Australia came Clarion Fracture
Zone, making an auspicious European debut...,a sound evidencing
an emergent collective voice familiar with the heritage of more
continents than only their own. Things are looking up for jazz
down under"
W. Patrick Hinely - Jazztimes, USA 12/90
"A band of fascinating contrasts, whose
special perspectives are an enrichment to the international jazz
scene"
A Schumacher - Germany 9/94
"a truly contemporary band sensitively
mixing acoustic playing and electronic sampling to produce a confection
of influences that sound as if they were meant to belong together
rather than just thrown in a blender and spun"
John Fordham - The Guardian London 9/94
"There's no doubt about it...astonishing
and surprising as ever....This is contemporary world jazz at its
pinnacle. Open your ears and let yourself be ravished by its focused,
yet also decadent and hysterical beauty."
Craig Pearce Drum Media 9/96
"...a sumptous musical feast"
Peter Jordan SMH 9/96
"...full of sublime melodies"
Tom Gilling THE BULLETIN 9/96
"...a high creative period in the life of an outstanding
band" A Brooking-OTS 10/94
"a creative powerhouse in Australian
music" Craig Pearce - DRUM 10/94
"...another kind of utopia..."
Goa Today 4/92
"One of the most compelling performances
of the Festival was produced by Clarion Fracture Zone. Again demonstrating
that adventurous music and a broad audience need not live on separate
planets, the group received an enthusiastic reception for its
inspired playing." P Jordan & J Shand - Manly
JazzFestival 10/95
"Clarion Fracture Zone make one curious....about
their original development as protagonists of an Australian sound
and of those jazz secrets which are yet to be discovered down
there" Jazzthetik, Germany 2/92
"Clarion Fracture Zone punched a hole
in the musical firmament with a blitzkrieg of sometimes transcendental
jazz... all of it original, all of it accomplished"
Brisbane Courier Mail 4/94
"...Clarion are strong on melody. About
half their material has a ravishing, almost opiated atmosphere
to it...some of their other stuff is full of jolts, free-form
dances and dervishes - but the humour and spirit with which it
is attacked have opened these areas up to the casual listener"
Gail Brennan-Sydney Morning Herald 3/93
"With
their debut album, 'Blue Shift' Clarion Fracture Zone effectively
set the pace for Australian modern jazz in the '90s...their long
awaited follow-up 'Zones on Parade' actually surpasses their previous
award-winning work"
Seth Jordan - Rhythms Magazine 3/93
Minimalistic, almost chambermusic-like
parts with influences of folkloristic roots, delightful ironic
persiflages of waltzes and marches with tricky rhythms and grooving
Mainstream-bop - the Australian quintet offered a most enjoyable
mix".
Rainer Bessling, Jazzfest Sulingen Germany 4/96
"These are real compositions,
and each player brings as much character to his or her part -
written or improvised - as an Ellington sideman."
J. Clare SMH 8/96
"...ethereal
and rich earthy sounds fill these constructions to the brim. It's
about the most beautiful recording I've heard....." Review
of Less Stable Elements John Clare SMH 8/96
"I like the way the suite builds up,
each section having its unique dynamic variations, to the intense
release of the last movement...I heartily recommend this release
by Clarion Fracture Zone and await future recordings."
Review of 'What This Love Can Do' by Richard B. Kamins Cadence
10/95
"Canticle
was a celebration of the joy of making music with out stylistic
barriers; music which fosters that unique magic when improvising
players are completely attuned to one another."
"...the tenor saxophones of Gorman and
Evans carried a wild, almost pagan, sense of abandon in the opening
sequence, Animus."
"...the choir wove in and out , making
way for astonishing improvisations from the band."
"Even at it's most tender - as with
Spence's porcelain delicacy at the piano, - the mood was charged
with excitement. Then a fresh rhythmic momentum would give that
excitement free rein and the band simply blistering impact."
John Shand Sydney Morning Herald 6/97
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